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In Memoriam ( III)

........................ Photo: Rafael G. Riancho (Lunada)


In the life of a bull rider there are days when displayed in case, and with it the insecurity. So it appears as if the world saw the most terrible hit by storms. And those who have suffered the misfortune of a close companion has died as a result of their participation in a popular bullfights, we know very well that this is a moment in which a runner must face the hardest gale that never would have imagined . I'll plant it. So what you refuse to think systematically.

But finally, and although it may seem counterintuitive, the companions who let us end up becoming the biggest support for our fans, a landmark beloved. These comrades are erected in adversity with the same strength that makes it a coastal lighthouse, which at night or in the middle of a storm is always there: to help us, to cheer ... to admire.


All bull riders who have left us, and fans who have lost their lives by participating in a popular bullfights, ALL ...

.................... Rest in peace, comrades! Lagun

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Note: Clicking the link that is inserted in the name of Rafael G. Riancho , you can access the web where you published the spectacular and wonderful picture that heads this entry, and many more works of this great photographer. Who Please allow me to keep the photo chosen to illustrate this text, as with this blog I have no profit.

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Fira Onda 2010

Attend Wave Fira is to find you, not with the past, but which were always popular bullfights. But, in addition, there also get the conviction that the fans will never disappear from the Bull and run it on the streets.

can discuss many things from Fira, in fact the fellow that these days we are crew there so we did during the celebration of festivals and, especially, when we met for lunch. Might say, and would be easy, though sincere, that the most attractive of the Wave Fira is the fine appearance of the bulls are there and displayed. But as for me, personally, the more I was charmed to see the amount of children that were in the top of the cadafales. See their faces, their looks, their gestures of awe, admiration ... And the conclusion I got from this is that the Fair and popular bullfights have an assured future.

Now, concerning the true protagonists of Fira, the truth is that a wave goes TORO-TORO. This bull that no longer remember "The Magnificent Seven" who now are saving assumptions of bullfighting by the ministries of Interior and Culture. That bull fear both imposed fine appearance, both rennet and temperament both presented and proved out. For the bull, to be worthy of its ancient history, it must be so: it must be scary with his presence and have to be mobile and, above all, caste. These are the basic conditions to endure the Fiesta. Because the "other bull," we see every day along with bullfighters, what it evokes is one more of the lovely animals from Disney, and all it inspires is a pity. Hence, in that "other bull we want to "sell" from official bosses of taurine many of the problems currently experienced by bullfights.

But that's not the case of the Fira de Onda.

There, from the cadafales, children see and learn what a Toro. They see and capture as respects the bull. Observed and treated as servants, a clean body, able to stop a bull out. As you leave the pen or crate without prior probaduras or third beam in the middle. Using only the body, giving the chest, and without needing a large cloak with which to give a long changed. And I saw in the faces of those kids who dreamed of be the ones to within a few years cut, roll and stop the bulls with the same fine appearance.

There, the kids enjoy watching as a boy can stick with a cardigan, not a chaquetazo, but a lady veronica, tempered and finished to a bull that is only seen in Pamplona and some evenings in Madrid. And I saw in the eyes of these very young fans who they wanted to be in the future can make that throw. With a jacket or (who knows?) With a light coat and dress.

Finally, there, the children also attend the enclosure from the top of the cadafales. But in that case, I swear I could not noticing them when the race passed by my leg. However, I can imagine that these kids are also intended to run one day closures. Not when receiving the call from Toro, it can not then let them do it yet, but when permitted by the regulations.

And I could not imitate the kids during the course of closure because, if it does not fit all distractions closure, Groove, let alone for the fact that they have a fine appearance impressive bulls that are there should be added that races are usually very fast and very intense.

I do not know if it's because the flat profile of its travel by cadafales the start, by the constant variation of the width and configuration of the streets, by the constant changes of light or simply by the breed of cattle, the case is that wave, the pack usually runs at high speed, the bulls look a lot and it is normal that some broken settings the pack to get on the sidewalk of either side. Or both at once, with one animal per side while the rest of the pack is at the center of the road. Besides, the curve of virtually 180 degrees which leads to the final section of the confinement has a great technical difficulty and is very dangerous.


All this implies that the closure Onda very attractive for the corridor, while exciting and spectacular, but also committed and hard running. On this particular day of the 2010 edition in which the bulls staged a more vibrant and dangerous closure was Saturday, which ran five copies of Zalduendo and one of Santiago Domecq, in line, was also the day he races saw and lived most committed by the brokers. However, mention must be made fast and nice closure on Friday, played by six cattle ranching Lavi Hnos Ortega, all of a hair between red and brown, with many kilos and very fine appearance. The closer together and clear of all was that of Wednesday, with bulls from the Pizarral.

Regarding the tests, along with the animals that were run in the cages each morning in the Fira 2010 have shown a total of 28 bulls, which included copies of herds as prestigious as those of Victorino Martin and Juan Pedro Domecq. The latter was a beautiful cinqueño brown hair and a huge fine appearance. If you had to highlight the output of a bull, of which I saw that comment personally and colleagues at the table, we should mention the livestock of Manuel Villau, a specimen with a tremendous aloft and made a spectacular exit , full of speed and aggressiveness.


This set of characteristics of Fira, and especially the law of the fine appearance as of cattle each year cause us more runners from different regions, we decided to go to wave over the last week of October.

we reviewed in one of the meals, as well as runners from all over the Levant, in the last two days we had seen many fellow Onda Castilla y Leon: Segovia, Valladolid and Zamora, at least, to a large group of Madrid, and some Alcarrenian, a whole gang of Gipuzkoa and even some French comrades. That, at least. And although not my style, I would highlight for me was a source of great satisfaction to share once more career and even stretch this time with a Valladolid that long, is fully integrated into our group and that in all the running to where he goes, there are many, shows his quality and courage as a runner.

And I've made this personal statement because from here I want to encourage all women who inwardly closures averse to join this exciting hobby. Not only are welcome, is that in addition, their participation will benefit their own cages, they will improve their image among the least fans.


press releases from the organization reported that on Saturday, participants and spectators had been recorded about 10,000 attendees in the last round of closures of Fira. We know that these accounts are always approximated, but what is certain is that Saturday was packed throughout.


involvement and an expectation more than evident at noon, when the closure takes place and the first exhibition, but also evident in tests in the afternoon and, of course, on the night strokes.


Because Onda, and throughout the Levant, there is a real passion for bullfighting embolados. It's all a matter of worship. His conclusion is felt to be inseparable from the background cultural development of all of the company, and individual intervention in a stroke is a matter of pride for the direct participants, either piston to the bull, either by cutting the rope holding him to the post, either once coleándolo is released. This notion of collective and personal embolados bulls in the Levant and taught and showed me a friend in the past. And now, in the Fair, I have been confirmed.


I can only say that, while enjoying fantastic days in Onda, I have been fortunate to participate in their cages. I will never forget and I feel like sediment desire to repeat the experience. On the other side and also on a personal level Wave to these closures have had the good fortune to close with my 2010 season. A fact that leads me to remember the rest of my colleagues and the various circumstances in which they may encounter. Thus:

I want to share my sense of fortune with peers who have also finished their season well, or at least, without suffering serious injury. I send greetings to those others who have been injured and wish them a speedy and full recovery. Respect to the comrades who have suffered injuries as very serious, in principle, seem irreversible or difficult to recover, I send my most affectionate hug and my best wishes for the new horizon of life that lie ahead. Finally, to peers and fans who have had the misfortune to let us definitely on his participation in popular bullfights want to record the memories that I remember him ... And, of course, I anticipate that they will be dedicated to the next entry in this blog. Lagun

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Vicente Blasco Ibanez, "Blood and sand "

Unlike what happens in our poetry, where all easy for us to enumerate a long list of illustrious authors that at some point in their careers were inspired by bullfighting theme in the novel are more difficult to develop a list of famous writers who have works with titles in its axis is inspired in the field of bulls.

Admittedly this, I must say that not a few English writers who have recognized a novel based around the world of bullfighting and the Fiesta. Thus, by way of example, Vicente Blasco Ibanez is the author of one of the most important novels of bullfighting theme throughout our literature "Blood and Sand" . And if you determine that this is not the best novel or taurine our letters can always be relativized by subjectivity, which can be affirmed is objectively which is what has contributed most to popularize in the whole world our Party. One fact that undoubtedly has been helped by its various versions and film adaptations.


Vicente Blasco Ibáñez (1867 - 1928)

birth Valencia, Blasco Ibáñez's biography is a combination of episodes that will combine its three major vocations: politics the journalistic and literary. These inclinations were fused along their life and made him a person of great vitality, very committed and a great writer.

As a politician, besides its youth initiatives, won record of Republican Congressman Valencia on several occasions. His political activity was so intense and radical who came to suffer arrests and deportations.

As a journalist, his greatest achievement was the newspaper El Pueblo . A newspaper Vicente Blasco Ibanez also used as a propaganda tool of the Republican political ideology and cultural training component, to be published in the literary works daily and weekly deliveries. This newspaper was very popular in Valencia, which had a significant influence since its founding in 1894 until its demise in 1939.

And as a writer, which is the aspect that concerns us here, Vicente Blasco Ibanez was one of the leading representatives of naturalism in English literature. Throughout his career comes across very clearly the succession of stages as a writer: Valencian novels, social, psychological, American, war, historical, adventure ... Among his most famous works include "Rice and trap" (1894), "The shack" (1898), "The orange" (1900), "Cañas y barro" (1902), "The Cellar" (1905), " The Horde "(1905)," The Naked Maja "(1906)," The dead rule " (1909), "The Argonauts" (1914), "The Four Horsemen of the Apocalypse" (1916) ... and, of course, on which we focus here: "Blood and Sand." A novel, single of his career, which is subject taurine.


"Blood and Sand" (1908)


Although some of the film versions of "Blood and Sand" yes you may incur more folkloric topics bullfights, we must make it clear first that the work of Vicente Blasco Ibáñez not, and is an excellent novel.

First because it has great quality from the strictly literary point of view. Blasco Ibáñez shown true to the naturalistic school, prevailing in the late nineteenth century, and presents a work with a thorough and objective descriptions, lively style and a remarkable sensitivity plastic.

Second, because the author is not content to show in the story the most famous chapter of our party, like the bullfights, but reflects all areas: the life of the bull in the field and their farmers, ranchers and cowboys, the courageous struggle of aspiring bullfighters, forged in weathers weathers, the sad existence that comes to professional career fail to succeed, the splendid life of righties who are fulfilled her dream of bullfighters, the work of subordinates, agents, businessmen and other professionals and employees associated with the celebration of the bullfights, relations with people male and especially female, that move in the environment of the Party and its main protagonists, and, of course, also reflected in the novel aficionados of all kinds and the public, such as mass, attended the festivities.

The inclusion of all this diverse set of characters with conflicting interests and sentiments, means that the novel offers an overview of the festival which is very rich in nuances.

And, without wishing to be exhaustive, thirdly, because the exposure of all the intricacies of the bulls is perfectly framed in a melodramatic tinge argument, which allows Vicente Blasco Ibáñez affect the interior of each character and in his psychological analysis. A novel feature that marked the period of his career that was written: that of psychological novels .

But in "Blood and Sand" also appreciate the traces they leave behind its earlier stages as a writer, to reflect the reality of English society, denouncing the evils that afflict the nation, and to provide a portrait of a region, in this case, the Andalusian.

Thus, as with all great literary works, "Blood and Sand" contains a variety of perspectives and many possible readings. Some see it as a description of the hero, there is one that fits like a sociology of bullfighting, and there are those who define it as a novel whose axis is not the world of bullfighting, but love, but framing it, yes in the atmosphere of the festival.


The argument is simple, but is made with great skill. The career of a matador, Juan Gallardo since its inception tiring, to times of splendor reputation as a top figure of bullfighting, the decline of art and contempt for the public, until his tragic death. His life as a man who goes from being a poor child a celebrity and wealthy, in luxury and prone to get out of wedlock few carnal pleasures you get from your position. And the clash between the two facets: the passion for bullfighting he feels Juan Gallardo collide brutally with passionate love for Dona Sol, an attractive woman, capricious and volatile, which will seduce you and then dismiss you as a lover, causing the collapse of the famous bullfighter's career and the breakdown of the marriage of the protagonist with his faithful and devoted wife, Carmen . And always present, the public " ... the beast roared: the true and only ... "Pick


Andrés Amorós in his book" Writers at the Festival "the following testimony of Vicente Blasco Ibáñez himself:

" I, who wrote the novel of bullfighting, very little like bullfights and people involved therein. "

Testimonials like this, in addition to the political ideals of the writer, have to say to many who Blasco Ibanez was bullfighting. Andrés Amorós, however, says in his work cited above that not easy to say exactly how much it was, not antituarino, but amateur. And, indeed, the reading of "Blood and Sand 'suggests that only a fan of the bulls can offer such a perfect and precious atmosphere that has the work, such a profusion of historical data on bullfighting, as detailed descriptions of some our bullrings or plastic representations of sets and tasks. It might all just be a product of thorough documentation previously treasured writers liked naturalism. You may, however that gives us wealth taurine, Blasco Ibáñez likes " little bullfighting "and that simply was not fond of them, but hard to believe that a whole bullfighting appropriate this work of art of bullfighting. Well, that's "Blood and Sand."

Vicente Blasco Ibáñez
Although most do not expect that this novel set in the world of bullfighting, that alone is enough to place him on top of taurine literature.

why this text will be framed within the "Bull and Arts" in this blog, but at the same time, as this classification is given by a single work, will also be framed in the "Library." And now, which is short to the end of season closures, I strongly recommend you read.
. Lagun

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NOTE: Blasco Ibáñez's photographs are take of the web "Fundación Centro de Estudios Vicente Blasco Ibáñez ", which beg to be allowed to keep it public, because with this blog I have no profit.
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